Choosing the Right Channel Count \/ \u5982\u4f55\u9009\u62e9\u4fe1\u9053\u6570<\/h2>\n
Count the signal paths between the stage panel and the console rack. 48 ways suits a large stage box where inputs, returns and spare channels together exceed the 24 or 32-channel sizes. Choose the smallest model that covers the total with a small spare allowance, and confirm connector format, fan-out length and packing in the enquiry.<\/p>\n
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For the channel-count naming convention (12 way multicore, 12ch, 12-channel) and the full 4\u201348 size table, see the audio snake cable channel-count guide<\/a>.<\/p>\n A 48 way multicore is the run between a large stage box and the console rack: one cable carrying 48 balanced channels as 48 pairs inside a single jacket. The two ends are the parts that get decided with the cable — a multipin connector on the stage box, a fan-out or a second multipin at the rack — and the connector format belongs to the stage box, not to the cable.<\/p>\n![\"LBS](\"\/wp-content\/uploads\/2026\/07\/lbsdmx-multichannel.jpg\")
<\/p>\nWhere this model sits in the stage-to-rack chain<\/h2>\n
| Hop<\/th>\n | Cable<\/th>\n<\/tr>\n |
|---|---|
| Microphone or DI to the stage box<\/td>\n | Balanced microphone cable, one lead per channel<\/td>\n<\/tr>\n |
| Stage box to console rack<\/td>\n | This multichannel cable, 48 ways<\/td>\n<\/tr>\n |
| Console to system processor and amplifiers<\/td>\n | Balanced signal cable — not a spare way of this multicore<\/td>\n<\/tr>\n |
| Amplifier to loudspeaker<\/td>\n | Speaker cable, by core count and conductor size<\/td>\n<\/tr>\n |
| Lighting on the same truss<\/td>\n | DMX512 cable, 120 Ω shielded twisted pair — separate bus<\/td>\n<\/tr>\n<\/table>\n Two substitutions are worth ruling out before an order is placed. A loudspeaker feed is not a balanced line and does not belong on a spare way of a signal multicore; and a DMX512 lighting bus is a 120 Ω twisted pair with its own termination rules, so it is ordered as its own cable rather than taken from this jacket.<\/p>\n |